I first discovered Craig Mullins back in the late 80's when I was working at Oddworld. This guy really understands how to play light across a surface to describe it. The artists at Oddworld were always pushing light and shadow in CG and these images have that same raw emotional storytelling played out with light.
The Good Brush
I first discovered Craig Mullins back in the late 80's when I was working at Oddworld. This guy really understands how to play light across a surface to describe it. The artists at Oddworld were always pushing light and shadow in CG and these images have that same raw emotional storytelling played out with light.
Subscribe to:
Post Comments (Atom)
0 comments:
Post a Comment